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The
Radical Acceptance of Everything
by Ann Weiser Cornell, PhD
This article originally appeared in the November 1994 issue of
The Focusing Connection (Subscribe).
When we
do Focusing as traditionally taught, it is as if we are inhabiting
two worlds. In one world, we have absolute trust for the body
and the body's process. In the other world, we treat some experiences
as acceptable, and others as unacceptable, needing to be set aside
or excluded in order for the process to continue. In this second
world the inner critic is treated as an interruption, as are thoughts.
Felt senses may only come in the trunk area of the body, and chronic
physical symptoms are not considered to be felt senses.
For the
past several years I have been aware that my experience goes counter
to this traditional teaching. For example, I have found that felt
senses may come outside the "classic" Focusing area
of throat, chest, belly. I have found that compassion for the
critic may be more useful than setting the critic aside. But recently
there has been a new synthesis in my practice of Focusing, both
in myself and as a teacher. Many seemingly disparate threads have
revealed themselves to be, really, one cloth. The name that I
would give to this new understanding is "the radical acceptance
of everything."
What if
we approach the teaching and practice of Focusing with a fresh
and open mind? What if we let go of the various strategies and
techniques we have been taught, and simply begin with three essential
statements?
(1) Focusing
is spending time with something that is not yet clear, something
that has more to it than can be put into words at first.
(2) There
is a bodily process that is more than the physical body as narrowly
defined.
(3) The
bodily process is trustworthy.
If you are
someone who believes that Focusing can be defined by any number
of steps ("Focusing is a ___ step process.") or that
Clearing a Space is a necessary part of every Focusing process,
then you probably won't be willing to follow me along this road.
I propose we start by agreeing that there is an essence to Focusing
that is beyond steps, and beyond any particular step, except perhaps
the step of Being With What's There.
So if we
start with the essence of Focusing as captured in those three
statements, and clear everything else away, what follows? Let's
see.
Felt
Senses Outside the Trunk Area.
I was taught to guide a person's awareness into the trunk -- throat,
chest, and belly -- and if they felt something outside that area,
to ask them to notice what they felt in the trunk about that.
For example, "You might notice if you're feeling something
in your throat, chest, stomach area that goes with that ache in
your jaw." And of course there are other ways of phrasing
this. But the traditional wisdom was either (1) felt senses come
only in the trunk, or, more kindly, (2) felt senses may come elsewhere,
but when felt in the trunk they communicate with the focuser more
easily.
When Leonardo
da Vinci was a boy, he was told that a nail placed in a tree would
grow taller every year as the tree grew. Everyone knew that this
was so. He tried it, and he found that it was not so; trees in
fact grow from the top, and a nail placed at a certain height
will never grow higher.
When I tried
treated senses in the periphery of the body as if they were felt
senses, both with myself and with others, they behaved like felt
senses. They "made steps," opened, revealed meaning,
and attending to them eventually resulted in felt shifts.
If the bodily
process is trustworthy, then perhaps it offers felt senses precisely
in the area of the body where it most wants them to be felt. To
make the sense move first, before it can be attended to, feels
not respectful of the body's wisdom.
Physical
Symptoms as Felt Senses.
I was taught that physical symptoms cannot be felt senses, and
that if a person had a physical symptom, they might be able to
feel their feeling about having it, but that was the most that
Focusing could do. Then I started hearing about people who didn't
follow "the rules" and who got amazing results from
treating physical symptoms as felt senses. I published two of
these accounts in this newsletter: Joe Tein's "Focusing with
Pain," (The Focusing Connection September 1986) and Shirley
Marten's "And Then the Pain Went Away," (The Focusing
Connection September 1987).
Then in
1990 I had a chance to try this myself. It was the night before
I was to start teaching a five-day workshop at the Omega Institute
with Kevin McEvenue, and he had joined me to trade Focusing. I
was depressed because I had a sore throat, a familiar symptom
which always led to a cold, and I didn't want to have a cold.
I told this to Kevin and he, another non-rule follower, said cheerfully,
"Let's focus on it!" When treated as a felt sense, the
sore throat yielded meaning, something about how I was putting
pressure on myself to be an "expert." By the next morning,
the sore throat was gone, and I felt fine. No cold.
Last month
in England I tried this again, on a cold that had already been
going for twenty-four hours. There were four or five symptoms,
and I picked the most prominent, the feeling of rawness in my
lungs. After I had heard its inner meaning, having to do with
having taken on someone else's feelings, I had one of the most
amazing experiences of my life -- I felt the symptom leave my
body in the space of about thirty seconds. Interestingly, the
cold remained, with all the other symptoms continuing and running
their course. I do wonder what would have happened if I'd had
the time to focus on each one in turn!
However,
I have found in my work with myself and clients that treating
a physical symptom as a felt sense doesn't always lead to an alleviation
of the symptom, and that it doesn't matter. I have one client
who has a chronic condition of dry eyes. She often starts her
sessions with awareness of her eyes, and receives meaning from
that awareness. This is a rich area for her, even though the symptom
has not yet changed. I'm convinced that even a broken leg would
have a felt sense "quality" or "aspect" if
attended to in this way, and would yield meaning, even though
we wouldn't expect the leg to knit instantly.
We seem
to have an ingrained assumption that experiences are either physical
or emotional, but not both. I believe this assumption arises from
the tragic legacy of the mind-body split. If we see with fresh
eyes, why couldn't something be both physical and emotional? Why
couldn't it yield emotional meaning through Focusing, even though
it has also been accurately physically diagnosed?
Thoughts
and Other "Distractions."
For many years, I treated thoughts as intrusions to the Focusing
process. When a focuser would say to me, "My mind is coming
in," I would say, "Maybe you could thank your mind for
its help and ask it to step aside for now." If a focuser
said, "I'm getting distracted," I would say, "Maybe
you could let that distraction go and come back to your body."
But then
a new and radical possibility began to come into my awareness.
What if there are no distractions? What if each thing that comes
is somehow a part of the process, and can be welcomed as such?
I watched
a student guide working with a new person in a training seminar.
The focuser reported that he felt nothing in his body. The student
worked diligently to enable him to feel something. At one point
the focuser reported, "Thoughts about my work are coming
into my head." In accordance with my teaching, the student
asked the focuser to set those thoughts aside. But, watching the
session, I was struck by the possibility that the thoughts might
have been a part of the process. Perhaps the thoughts had been
the body's way of introducing content and meaning. I wondered
what would have happened if the guide had said, "Maybe you
could notice how you feel in your body about those thoughts about
your work."
Today when
a focuser tells me they are distracted, my response is, "Maybe
the distraction is relevant." If it's not, we'll soon know.
But let's not throw it out before we check whether it might have
been the body's way of bringing the next piece.
Recently
I was doing a first session in a workshop setting. Her felt sense
was of a pressure on her abdomen, but it kept disappearing when
she tried to stay with it. Finally she opened her eyes and looked
at me.
"It
isn't working," she said. "I keep getting distracted."
"Maybe
the distraction is relevant somehow," I suggested.
"I
don't think so," she said. "A black cat walked in and
sat down."
"OK,"
I said. "Let's let the black cat be here. Is it still here?"
She closed
her eyes, checked, and nodded.
"So
see if you can sense what mood it's in."
She sensed,
then said, "It's scared."
"Oh,
so let it know you hear that it's scared. And then see if it might
want to let you know what it's scared about."
"I
get an image of my mother, and a choking in my throat. Guilt.
I wish I could take care of my mother better."
That was
the key to the session, and when she acknowledged it, she felt
relief and release.
After the
session was over, the focuser told us that the black cat had been
the one she'd had when she was a child, which had been killed.
An hour
later, as we were about to end the session for lunch, a black
cat walked into the circle as if it owned the place. We gasped
-- how did that happen? It was the final touch to a lovely session.
I'm left
with renewed appreciation that anything which comes in a session
is probably a part of the process, and nothing should be dismissed
as a distraction until it is carefully resonated first.
The
Critic.
And what would happen if we extend our radical acceptance of everything
to Mr. Critic as well? What if we see the inner critic, not as
an interruption, but as a natural part of the process?
I approached
my recent series of workshops with this new possibility in mind,
freshly inspired by Barbara McGavin's article in the September
1994 Focusing Connection. Previously, I had taught a three-part
approach to the critic. First, ask it gently to step aside, second,
if that doesn't work, ask it its positive purpose, and third,
if nothing else works, ask the critic to move around in front
of the focuser and have the focuser ask it, "What hurt you
or worried you or scared you that you'd be talking to me like
that?" It was a very elaborate set of techniques that sometimes
took quite a long time.
When I began
doing sessions at the Focusing Center of the Hague, I found myself
treating the appearance of the inner critic in a much simpler,
more organic way. When the focuser reported, "Now my critic
is coming in," I would say, "Ah, yes. And maybe you
could notice if there's some feeling or emotion, right there."
It's hard
to describe how wildly successful this was! You would think that
people would talk about the critic's anger or contempt, or report
the downtrodden felt sense of the criticized part. But what actually
happened was not that at all. Over and over again, by feeling
and reporting the emotion that came with the critic, the focuser
went right back into the very heart of the Focusing process. "It's
grief," one woman reported. "There's so much fear there,"
said a man. In each case, being with this emotional quality led
into deep process. The critic was not an interruption, it was
simply a way that part of the process chose to express itself.
So the radical
acceptance of everything brings a new possibility of trust, a
feeling of greater wholeness to the Focusing process. As guides
we are no longer guardians of the gate, watching to allow in some
experiences and exclude others. Instead, we are holders of the
open space that includes whatever wants to come. We are not afraid
of what comes in the focuser. We know that there are no enemies
in the inner world. We enable the focuser to form a positive relationship
with what comes, a relationship of listening and acceptance or,
if that isn't possible, a relationship with the part that finds
it hard to accept what's there. The spirit is one of inclusion,
not exclusion. The attitude is one of welcome.
The radical
acceptance of everything is consistent with the spirit of Focusing,
and it works. Do try it yourself, and let me know how it goes.
This
article appears in The Radical Acceptance of Everything, by Ann
Weiser Cornell, PhD and featuring Barbara McGavin (Calluna Press;
2005). Learn more about
this book.
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